Showing posts with label 2020 Academy Awards. Show all posts
Showing posts with label 2020 Academy Awards. Show all posts

Tuesday, February 11, 2020

"Parasite" and Other Oscars Thoughts

The surprising, or maybe not-so-surprising, sweep by the South Korean film "Parasite" at the Academy Awards ceremony on Sunday night (in case you missed it, "Parasite" won four Oscars: Best Picture, Best International Film, and Bong Joon Ho won for Best Director and Best Original Screenplay) prompted me to finally get around to watching the movie last night.  My pal Dan Houston said that this was a movie that, more than almost any other movie he saw, stayed with him and made him think for a long time after he saw it, and I agree.  It hasn't been a full twenty-four hours since I saw it, and I most certainly am still thinking about it, and it will stay with me for some time, I'm sure.

Friend and neighbor Barbara asked me on Facebook last night "What is it about?"   A question with a lot of answers. It's about a family of con artists. It's about class distinctions in South Korean society, and the vast differences between the rich and the poor, distinctions that certainly exist in these United States as well.  It's about  desperation and longing for a better life.  It's about the cluelessness of the upper classes to the society around them.



It's about all of those things and it is told in a very interesting manner.  In the beginning, it's almost a comedy as we see a family of con artists worm their way into the household and take advantage of a wealthy family.  There are laughs to be had there, no doubt about it.  Soon however, things take a dark turn, and then an even darker turn after that.  Call it a Tarantino-esque turn of events.  Director Bong Joon Ho definitely pays an homage to Quentin Tarantino, whether intentionally or not, I don't know, as "Parasite" winds to a startling conclusion.

I don't want to give away anything else, but I will tell you that this is a movie worth seeing.  And don't let the subtitles scare you away.  Within the first five minutes, you won't even think about the fact that you are reading them. 

Do I think it was the Best Movie of the year?  No, my vote still goes to "Once Upon A Time...In Hollywood", but I am not going to say that "Parasite" was an undeserving winner, either.

Three and One-Half Stars from The Grandstander.

*********
Some other thoughts on the Oscars......

  • The Academy spread the honors around.  In spite of "Parasite" winning the four big awards other movies got their beaks wet as well.  "1917" won three, "Once Upon A Time ..In Hollywood", "Joker", and "Ford v Ferrari" won two each, and "Little Women" and "Jojo Rabbit" took home one each, so that was nice.  The fact that "Parasite" beat out an All-Star Ballot of other really, really good movies for Best Picture is yet another tribute to it
  • As always seems to happen, one heavily hyped movie gets shut out on Oscar night.  This year it was "The Irishman."  Ten nominations, Zero wins.  One has to wonder if this was about the film's artistic merits relative to the competition, or was some anti-Netfilx backlash involved in these outcomes?
  • The Oscars remain an important event, and it is the one awards show that I will always watch, but I have to admit that as a television show...Meh.  Every year the Producers of the show promise that this year  it will be better, different, and more entertaining, but for the most part, it never is.
  • I'm glad that it opened with that Steve Martin/Chris Rock monologue.  That was funny.  After that, I didn't miss the absence of a nominal "Host" for the show with one exception.  As I get older, more of the actors and performers on the show are unrecognizable to me.  Could a voice over announcer telling us who is coming out there, or maybe puting the names on screen as they come out be too much to ask?
  • Speaking of performers, what was with the Eminem bit?  I read that when Marshall Mathers and his movie "8 Mile" won Oscars in 2003 for Best Music and Best Original Song, he was a no show at the ceremony.  So why the make-up do-over now, in 2020? His performance of "Lose Yourself" on Sunday was certainly dynamic, and the audience, except for Martin Scorsese, seemed to love it.  (The shot of the stone-faced Scorsese during this was one of the high points of the telecast!)  I liked it, but, again, why was it presented on this year's telecast?
  • Tom Hanks was called upon to read a bit about the Motion Picture Academy's new museum that will open to the public later this year.  Did you notice how he ended his talk?  As he was walking away from the mic, he said "I am Spartacus."  Leave it to Tom Hanks to make an absolutely perfect tribute to Kirk Douglas, who died a few days before the ceremony.
  • As for notable presenters, the only ones that stick out two days after the fact, were the bit that Maya Rudolph and Kristin Wiig did and James Cordon and Rebel Wilson 's self-deprecating one in their "Cats" costumes.
  • To be sure, it was fun seeing Elton John perform, but I continue to maintain that the telecast would be improved if they didn't bother performing all five of the nominated Original Song nominees.
  • Bung Jong Ho was called to the stage four times to accept the various awards that he and his film won.  As he spoke through his  interpreter, he came across to me, anyway, as an engaging and very sincere  guy, so, good for him and his successes.
  • As for prediction, I went 4-4 on Sunday.  I missed on Picture, Director, Original Screenplay, and Adapted Screenplay.  I hit on all of the Acting awards, but none of them - none! - were a surprise.  All went according to chalk, which certainly contributes to a less than exciting telecast.  As always, I present  a tribute to the four acting winners....
Brad Pitt, Laura Dern, Joaquin Phoenix, Renee Zellweger

As they say in the movie biz, that's a wrap until next year.





Wednesday, January 15, 2020

The Oscar Nominations

Some personal observations in the wake of the announcement of the Academy Award nominations earlier this week.

  • The hue and cry from the general movie going public was the "snub" of Greta Gerwig, who did not receive a nomination for Best Director for "Little Women."  Personally, I am not remotely qualified to judge all of the movies and directors out there, but "Little Women" was one of the best movies that I saw last year, and I would have loved to see Ms. Gerwig snag a nomination, if not the Oscar itself.  Whether sexual politics were involved in the nominations is an argument that I will let others fight.
  • I have seen four of the nine Best Picture nominees: "Ford v Ferrari", "The Irishman", "Little Women", and "Once Upon a Time...In Hollywood."  All are worthy nominees.  Of these four, my personal favorite was "Once....", and it would get my vote, although I would be delighted if "Little Women" grabbed the top prize.
  • My thoughts on the five Best Picture noms I have not seen:
  • "Jojo Rabbit" - A story where Hitler is played as comic imaginary friend, does not appeal to me, although enough people whose opinions I respect say don't let that turn me away from this one.  I may need to see this one.
  • "Joker" - Everything that I have heard about this one tells me that it is just not my kind of movie.  Doubt that I will see this.
  • "Marriage Story" - The story of a marriage falling apart.  A custody battle for the kid.  Oh, yeah, THAT'S something I want to see.  I am also told that it is writer/director Noah Baumbach's own personal story, so I want pay to see his self-therapy?  Mrs. Grandstander watched this and she said it was "okay", but she also said that she knows that I wouldn't like it.  I don't care how good the acting is, and I am sure that it is, I don't want to sit through her people's misery.
  • "1917" - I am not drawn to this one, although I am intrigued by the idea of how it was shot in a series of long continuous takes.   I will probably check this out at some point.
  • "Parasite" -  I am also not drawn to a foreign language film with subtitles, but, again, enough folks whose opinions I value say that this is really a good one, so I may try to catch the one.
  • A big surprise was the lack of love shown by the Academy for "A Beautiful Day in the Neighborhood."  Its only nomination was for Tom Hanks for Best Supporting Actor.
  • Speaking of Best Supporting Actor, that is the category that can best  be described as a true All-Star Ballot: Tom Hanks, Anthony Hopkins, Al Pacino, Joe Pesci, and Brad Pitt.  All have Oscars on their resumes (although's Pitt's is as a producer, not an actor).  The front runner for this one appears to be Pitt, and I hope that he does get the win.  
  • No love for Robert De Niro for "The Irishman"????
  • Scarlett Johansson get nominated for both Best Actress and Best Supporting Actress.  When this has happened in the past, the actor usually snares the Supporting award.
  • "The Irishman" garnered ten nominations, and it will be interesting how the Academy will treat this one since it is a Netflix production.  Will be there anti-Netflix, anti-Movies-made-primarily-for-streaming-services bias?  That will be an interesting storyline to follow.  (This applies to "Marriage Story"  and "The Two Popes" as well.)
  • My guess is that the Best Director winner will be between two of Hollywood's darlings, Martin Scorsese and Quentin Tarantino.  Two factors will tilt it towards Tarantino, I think.  One, the anti-Netfix factor against Scorsese, and two, Tarantino's movie as almost a love letter toward Hollywood, and Hollywood loves to honor itself, so QT finally gets his Best Director Oscar.
  • The Best Actor/Actress categories seem to be fait accomplis  for Joaquin Phoenix ("Joker") and Renee Zellweger ("Judy").   Nominated for a fourth time, I would love to see Saoirse Ronan win her first Oscar, but it will be hard to top Zellweger's performance.
  • The Academy could make up for Gerwig's Best Director snub by awarding her the Oscar for Best Adapted Screenplay, although Steven Zallian could get this one as a way to honor "The Irishman".
  • The Original Screenplay award could go to Tarantino if he doesn't get the Director Oscar for "Once Upon a Time...In Hollywood."  That has happened for him in the past ("Pulp Fiction" and "Django Unchained").
  • Every year there is a movie that gets a ton of nominations in different categories but ends up getting shut out on Oscar night.  What will be that movie this year?  I fear that it could be "Little Women."
The Grandstander will put forth some official predictions as the night of the awards draws nearer.  In the meantime, a couple of plugs for my favorite movies of the year....